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{\rtf1\ansi \deflang1033\deff0{\fonttbl {\f0\froman \fcharset0 \fprq2 Times New Roman;}{\f1\froman \fcharset0 \fprq2 GoudyOlSt BT;}}{\colortbl;\red0\green0\blue0;} {\stylesheet{\fs20 \snext0 Normal;} {\s1 \qj _26;} {\s2 \qj\fi-720\li1440\tx1440\tx2160\tx2880\tx3600\tx4320\tx5040\tx5760\tx6480\tx7200\tx7920\tx8640 _25;} {\s3 \qj\li2160\tx2160\tx2880\tx3600\tx4320\tx5040\tx5760\tx6480\tx7200\tx7920\tx8640 _24;} {\s4 \qj\li2880\tx2880\tx3600\tx4320\tx5040\tx5760\tx6480\tx7200\tx7920\tx8640 _23;} {\s5 \qj\li3600\tx3600\tx4320\tx5040\tx5760\tx6480\tx7200\tx7920\tx8640 _22;} {\s6 \qj\li4320\tx4320\tx5040\tx5760\tx6480\tx7200\tx7920\tx8640 _21;} {\s7 \qj\li5040\tx5040\tx5760\tx6480\tx7200\tx7920\tx8640 _20;} {\s8 \qj\li5760\tx5760\tx6480\tx7200\tx7920\tx8640 _19;} {\s9 \qj\li6480\tx6480\tx7200\tx7920\tx8640 _18;} {\s10 \qj\tx0\tx720\tx1440\tx2160\tx2880\tx3600\tx4320\tx5040\tx5760\tx6480\tx7200\tx7920\tx8640 _17;} {\s11 \qj\fi-720\li1440\tx1440\tx2160\tx2880\tx3600\tx4320\tx5040\tx5760\tx6480\tx7200\tx7920\tx8640 _16;} {\s12 \qj\li2160\tx2160\tx2880\tx3600\tx4320\tx5040\tx5760\tx6480\tx7200\tx7920\tx8640 _15;} {\s13 \qj\li2880\tx2880\tx3600\tx4320\tx5040\tx5760\tx6480\tx7200\tx7920\tx8640 _14;} {\s14 \qj\li3600\tx3600\tx4320\tx5040\tx5760\tx6480\tx7200\tx7920\tx8640 _13;} {\s15 \qj\li4320\tx4320\tx5040\tx5760\tx6480\tx7200\tx7920\tx8640 _12;} {\s16 \qj\li5040\tx5040\tx5760\tx6480\tx7200\tx7920\tx8640 _11;} {\s17 \qj\li5760\tx5760\tx6480\tx7200\tx7920\tx8640 _10;} {\s18 \qj\li6480\tx6480\tx7200\tx7920\tx8640 _9;} {\s19 \qj\tx0\tx720\tx1440\tx2160\tx2880\tx3600\tx4320\tx5040\tx5760\tx6480\tx7200\tx7920\tx8640 _8;} {\s20 \qj\fi-720\li1440\tx1440\tx2160\tx2880\tx3600\tx4320\tx5040\tx5760\tx6480\tx7200\tx7920\tx8640 _7;} {\s21 \qj\li2160\tx2160\tx2880\tx3600\tx4320\tx5040\tx5760\tx6480\tx7200\tx7920\tx8640 _6;} {\s22 \qj\li2880\tx2880\tx3600\tx4320\tx5040\tx5760\tx6480\tx7200\tx7920\tx8640 _5;} {\s23 \qj\li3600\tx3600\tx4320\tx5040\tx5760\tx6480\tx7200\tx7920\tx8640 _4;} {\s24 \qj\li4320\tx4320\tx5040\tx5760\tx6480\tx7200\tx7920\tx8640 _3;} {\s25 \qj\li5040\tx5040\tx5760\tx6480\tx7200\tx7920\tx8640 _2;} {\s26 \qj\li5760\tx5760\tx6480\tx7200\tx7920\tx8640 _1;} {\s27 \qj\li6480\tx6480\tx7200\tx7920\tx8640 _;} }\notabind\margl1440\margr1440\hyphhotz914\ftnbj\fet2\ftnrstpg\aftnnar\viewkind1\lytprtmet\subfontbysize \sectd \sbknone\headery1440\footery1440\endnhere\endnhere {\*\pnseclvl1\pndec\pnstart1{\pntxta .}} {\*\pnseclvl2\pnlcltr\pnstart1{\pntxta .}} {\*\pnseclvl3\pnlcrm\pnstart1{\pntxta .}} {\*\pnseclvl4\pndec\pnstart1{\pntxtb (}{\pntxta )}} {\*\pnseclvl5\pnlcltr\pnstart1{\pntxtb (}{\pntxta )}} {\*\pnseclvl6\pnlcrm\pnstart1{\pntxtb (}{\pntxta )}} {\*\pnseclvl7\pndec\pnstart1{\pntxta .}} {\*\pnseclvl8\pnlcltr\pnstart1{\pntxta .}} {\*\pnseclvl9\pnlcrm\pnstart1} {\field{\*\fldinst {\lang4105 SEQ CHAPTER \\h \\r 1}}{\fldrslt }}\pard \fs32\qc\tx0\tx720\tx1440\tx2160\tx2880\tx3600\tx4320\tx5040\tx5760\tx6480\tx7200\tx7920\tx8640 {\plain \fs32 \b\f1\fs32 Diane Turner\par }{\plain \fs32 \b\f1\fs32 \par }{\plain \fs32 \b\f1\fs32 \par }\pard \fs24\tx0\tx720\tx1440\tx2160\tx2880\tx3600\tx4320\tx5040\tx5760\tx6480\tx7200\tx7920\tx8640 {\plain \fs24 \b\f1 \tab }{\plain \fs24 {\u8220\'93}My approach in translating nature{\u8217\'92}s beauty is a humble one. It comes through an \softline appreciation and reverence in studying the handiwork of the greatest master of all.{\u8221\'94}\par }{\plain \fs24 \tab A long-time resident of Bountiful, Diane Turner, was born in 1932 in Salt Lake City. An \softline enduring, dedicated student of her preferred medium, she has studied oil painting with some of \softline the great names in Utah art including LeConte Stewart and Alvin Gittons. {\u8220\'93}Most artists will \softline agree that observing and creating is a religious experience.{\u8221\'94} she explains. {\u8220\'93}I have chosen oil \softline paint as my medium because I like the dimensional and tactile quality o fit.{\u8221\'94}\par }{\plain \fs24 \tab Choosing Utah landscapes as her subject, Diane{\u8217\'92}s widely acclaimed work reflects the \softline silent beauty of the western desert and red-rock country as well as the brilliant seasonal hues of \softline the mountains. {\u8220\'93}I have chosen the landscape of Utah because I admire the beauty and diversity \softline of it.{\u8221\'94}\par }{\plain \fs24 \tab Painting small towns and scenic interest along Highway 89 from the southern boarder of \softline Utah to the north, is a project she has been working on for years. {\u8220\'93}Painting beautiful pictures is \softline a way for the artist and the observer to escape for a moment form the distractions of material and \softline commonplace things of life. Hopefully, my paintings will bring peace to the mind and relaxation \softline to the body.}{\plain \fs24 \f1 \par }{\plain \fs24 \f1 \par }{\plain \fs24 \f1 \par }{\plain \fs24 \f1 \par }{\plain \fs24 \f1 \par }{\plain \fs24 \f1 \par }{\plain \fs24 \f1 \par }{\plain \fs24 \f1 \par }{\plain \fs24 \f1 \par }\pard \fs24\qc\tx0\tx720\tx1440\tx2160\tx2880\tx3600\tx4320\tx5040\tx5760\tx6480\tx7200\tx7920\tx8640 {\plain \fs24 \f1 \par }{\plain \fs24 \f1 \par }{\plain \fs24 \f1 \par }{\plain \fs24 \f1 \par }{\plain \fs24 \f1 \par }{\plain \fs24 \f1 \par }{\plain \fs24 \f1 \par }{\plain \fs24 \f1 \par }{\plain \fs24 \f1 \par }{\plain \fs24 \f1 \par }{\plain \fs24 \f1 \par }{\plain \fs24 \f1 \par }{\plain \fs24 \f1 \par }{\plain \fs24 \f1 \par }}

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